Your Most Powerful Writing Tool

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Your Most Powerful Writing Tool

You have in your possession a writing tool that is more beneficial to you than all other tools combined, and it’s likely your most underutilized—your subconscious mind. Learning to use your subconscious mind will open up avenues of creative inspiration that can benefit your writing in ways you may have never thought possible.

There are three components to your mind, as studied and analyzed by Sigmund Freud, the father of modern day psychology. First is the conscious mind, the day to day thinking portion of mind. The conscious mind can only attend to one thought at a time, so you are limited in how much information is available to you using your conscious mind.

The preconscious mind is a layer between the conscious and the subconscious. It’s a very concrete, “all or nothing” portion of mind that often causes conflict and attempts to interfere with the goals of the conscious mind. I call this interference the “anti-writer™.” I will give you a technique for dealing with your anti-writer later in this article.

The subconscious mind operates independently from your conscious and preconscious. It is like a giant computer system with multiple input sources, constantly recording all of the details of your life. The subconscious has some very unique characteristics. For instance, it is always alert; it functions even during periods when the conscious mind is asleep or altered in some way, such as surgery. It stores material indefinitely. All of the information that you are exposed to on a day to day basis is stored in the subconscious. Think about how gaining access to this treasure trove of material can impact your ability to write scenes and create characters. Last, the subconscious creates your reality. Many people have spoken about this truth before, such as Napoleon Hill, Dr. Wayne Dyer, Zig Ziglar, and others—basically, what you think about all the time programs your subconscious mind to bring into reality. Learning to direct this power can help you achieve your writing goals.

Easy Ways to Work With Your Subconscious

Here are some easy ways to tap into the power of your subconscious mind.

Ask for a Dream Solution

Dreams are a spontaneous way that the subconscious gets information to the conscious mind. Robert Louis Stevenson is one famous writer known for using his dreams almost exclusively for material. He called his dreams “the stage” of his mind. He would go to sleep at night anticipating receiving the next chapter for his work in progress. He even credited his famous story Dr. Jekyll & Mr. Hyde to a dream.

You can use your dreams in the same way by asking for what I call a dream solution. You do this by asking your subconscious mind a question before you go to sleep, such as, “Subconscious, what is the next scene in my novel?” or “Subconscious, would Agent X be a good match for me?" or “Subconscious, give me an idea for a new book.”

Some people write the question on an index card and put it under their pillow. The gesture is symbolic, but writing down the instruction seems to increase the chances of a dream solution.

Sometimes the answer may come to you first thing in the morning, other times it comes at an unexpected moment days or even weeks later. It takes time to learn how your subconscious mind provides you with the answer; some people experience hunches, others get flashes of insight, others get “feelings” that they should take some action. The more you practice with dream solutions the more attuned you will become to the unique way your subconscious communicates with you.

I have used dream solution work with my own writing. The night before I handed in the manuscript for Time to Write, I asked my subconscious mind to alert me to any errors in the copy. When I woke up, I got a mental picture of three misspelled words and found the errors in the exact sections that my subconscious had indicated they would be in.

The Hypnagogic State

The Hypnagogic state is a phase of sleep that occurs naturally before falling asleep and before fully waking up. It’s characterized by altered consciousness; some people see flashes of light, others hear their name being called, and ideas that under ordinary conditions have no association are perceived as being connected. It’s a period ripe with creativity. Mary Shelley got the idea for the classic novel Frankenstein while in this drowsy state.

One way to practice with the hypnagogic state without drifting into full sleep is to lay down and hold one arm straight up. You can learn to stay in the zone between sleeping and wakefulness just by balancing your arm up. When you feel yourself getting too sleepy, write down whatever was going through your mind at the time.

Beware Your Anti-Writer™!

Everything that passes from your subconscious into your conscious mind must pass through the preconscious, which is where the anti-writer™ resides. If this anti-writer™ portion is not controlled, it can interfere with your ability to use your subconscious mind for maximum creative gain and thwart your writing goals. The anti-writer™ usually manifests in the form of negative comments you say or think about your abilities as a writer.

To combat your anti-writer™, record all negative statements you say or think about your writing abilities in a notebook. At the end of two weeks, note themes or statements that are repeated more than three times. Next, write countering statements on index cards and say these out loud daily, especially when you have a negative thought. For instance, if your anti-writer statement is, "I just don't have the time to write with my busy schedule," counter with, "I know there is time in my day to write and I will find it." Immediately countering the statement will set up a habit of neutralizing these negative thoughts.

Your subconscious mind is your most powerful writing ally. Learning to tap into this vast creative resource will aid both your creativity and your writing career efforts. There are many more exercises in my book, THINKING WRITE, The Secret to Freeing Your Creative Mind, just released by Adams Media.

References:
Moody, Dr. Raymond: www.lifeafterlife.com
Shelley, Mary Wollstonecraft. Frankenstein, third edition. Henry Colburn and Richard Bentley, London, 1831.
Stevenson, Robert Louis. Across the Plains. Chattus & Windus, London, 1892
Stone, R. Michael, Counseling & Consultation Services: www.unlearnsmoking.com

copyright: 2009 Kelly L. Stone, all rights reserved. Unauthorized use of this article in any format is strictly prohibited without written permission from the author.